Manyibe Ezra Omare
05 March 2025 • 7 min read
In the world of fashion design, where do innovation and inspiration begin and end? Where does imitation begin? In an industry where originality is highly valued, and copying takes various forms, this article covers the concepts of stealing and borrowing in fashion. Further, we explore the gray areas of the industry, giving examples of cases of design theft.
“I've seen quite a lot of major brands replicate artisan-made designs and take them as their own instead of crediting the original designer. That's stealing. A better way to do this is to pull inspiration from a specific texture or pattern and adapt it into something that is unique and truly new. You should be thinking about how you can take a design to the next level instead of just copying it.” - Robert Behnke, Co-Founder and President of Fair Indigo.
Fashion designers are artists. More often than not, they draw their inspiration from cultural influences, historical fashions, and the latest trends. Their creative compass is shaped by their experiences in art, travel, and street culture, among others. Borrowing from multiple sources, they iterate their genius ideas, carefully perfecting each. These form a blueprint for their final product.
Just like sampling in music, borrowing exists in fashion to accelerate the creation of new ideas. And rightly so, credit must be given to where it's due. The concept of borrowing comes down to the unwritten rule of respecting cultures, designers, and artists whose work the inspiration is drawn from.
However, with everything available to everyone around the world with just a click, the concept of borrowing in fashion has become an even larger gray area. Nowadays, you can utilize multiple social media platforms and websites to advertise and showcase your work. In an instant, it'll be accessible to several others who may seek inspiration.
You could argue that borrowing thrives on the positive ethics and guilty conscience of designers. When done right, it's a critical tool for the growth of the global fashion industry. This was when designers paid tribute to their role models and different cultures and reimagined classics.
Some of the ways borrowing has been demonstrated in fashion include:
Humans have piggybacked off ideas from one another since the beginning of time. As a matter of fact, it's difficult to ideate a fashion design that somebody else didn't come up with years ago. When you're stuck on a project, you turn to the works of a designer you respect or respond to.
Austin Kleon, in his New York bestseller, "Steal Like an Artist," pointed out that a very small percentage of people come up with something entirely new. He noted that creatives could copy, remix, or orchestrate any other form of imitation to create something in a completely artistic manner. While this may be true, it becomes outright theft and completely unethical when credit is not given.
Some forms of stealing in fashion design include replicating exact designs by other creatives without defining changes, basically creating "knockoffs." Misrepresentation by passing off another designer's work as your own and mass producing and distributing copied designs are other forms of stealing in fashion.
A thin line exists between borrowing and outright stealing in fashion. However, there are several factors you can consider to establish a distinction.
In the United States, not all fashion designs are explicitly protected by intellectual property (IP) laws. This leaves designers exposed to threats of IP theft.
Fashion designers can rely on three types of IP laws to safeguard some portions of their designs:
While the Lanham Act stipulates what can be trademarked, copyrighted, or patented, it doesn't serve to protect the aesthetic features of fashion designs. Some huge brands have, however, managed to incorporate logos into their designs and heavily policed any unauthorized use of their marks. Some of the marks have acquired secondary meaning and can be recognized by consumers as source identifiers.
Unfortunately, most smaller fashion brands and designers don’t include any trademarks in their designs. They lack the resources to proactively and consistently prevent unauthorized use of their trademarks. As a result, big brands have extensively utilized this loophole to rip off smaller brands and produce and distribute counterfeits.
Big brands have often faced accusations of copying independent designers' work, sparking debates about intellectual property rights and ethical business practices. The following cases highlight how small creators have taken on industry giants over alleged design theft:
In April 2018, British designer Carrie Anne Roberts had her merchandise copied by Old Navy. Her best-selling products at the time, t-shirts printed "Raising The Future" across the chest, had been allegedly copied by Old Navy and sold at half price. The fashion giant had also allegedly copied her kids' t-shirts printed “The Future.”
Roberts posted the alleged duplicates by Old Navy on her Instagram page, lamenting about being copied by a huge brand. Her customers and followers also left negative comments on Old Navy's page. They also gave the brand negative ratings on the company's website.
The negative criticism saw Old Navy pull the tees from their website. Some were, however, still available for sale in the stores. They replied to Roberts via email, stating that she had not trademarked the phrases "Raising the Future" or "The Future." The global brand highlighted that she didn’t have a trademark for the font or graphic designs of the t-shirts and, thus, had zero legal rights to them.
"I was a single mom, and the idea behind this T-shirt inspired my whole business. Now it's been stripped of all meaning, and it feels really violating," she noted.
In 2023, Massachusetts designer Krista Perry told TIME Magazine that SHIEN had sold one of her graphic designs she had created online. She told the publication that the brand offered her a $500 settlement when she contacted them.
To create a more ethical and sustainable fashion industry, designers should invest in open discussions and education. Values like originality, creativity, and responsible trade practices should be promoted. In the event you want to protect a design and are unsure of the process or are wary of infringing on another designer's IP, seek the services of a qualified intellectual property (IP) attorney.
AUTHOR
Reporting to our Pretoria office, Manyibe is a content writer at Trademarkia and has experience in communications and digital media. He holds a Bachelor of Science degree in Communications and Journalism and other digital marketing and media certifications. He possesses a proven track record of researching complex topics, conducting interviews, writing articles and features, creating multimedia content, and leveraging social media for engagement. In his free time, Manyibe enjoys playing or watching football and basketball, listening to music, and tending to his cows and poultry.
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