SRBIANA ELECTRIC Trademark Information

"Sovereign Source", Inc.

Entertainment services in the nature of live visual and audio performances by a group of instruments playing and promoting only Srbiana arranged music, composed of three electric, silent solo violins, three electric solo accordions, three electric, silent solo bouzoukis, three electrical/digital solo pianos, and three electric solo wind instruments, with five electric/silent contra basses, and three electric drums set up as accompanying instru...

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Words that describe this mark

entertainment   services   nature   live   visual   audio   performances   group   instruments   playing   promoting   srbiana   arranged   music     composed   electric     silent   solo   violins     electric   solo   accordions    

This is a brand page for the SRBIANA ELECTRIC trademark by "Sovereign Source", Inc.  in Chicago, IL, 60640.

Write a review about a product or service associated with this SRBIANA ELECTRIC trademark. Or, contact the owner "Sovereign Source", Inc. of the SRBIANA ELECTRIC trademark by filing a request to communicate with the Legal Correspondent for licensing, use, and/or questions related to the SRBIANA ELECTRIC trademark.

On Thursday, May 26, 2016, a U.S. federal trademark registration was filed for SRBIANA ELECTRIC by "Sovereign Source", Inc., Chicago, IL 60640. The USPTO has given the SRBIANA ELECTRIC trademark serial number of 87050682. The current federal status of this trademark filing is OFFICE ACTION ISSUED - CLARIFICATION NEEDED. The correspondent listed for SRBIANA ELECTRIC is MARC N. BLUMENTHAL of LAW OFFICE OF MARC N. BLUMENTHAL, 20 S. CLARK STREET, SUITE 500 CHICAGO, IL 60603 . The SRBIANA ELECTRIC trademark is filed in the category of Education and Entertainment Services . The description provided to the USPTO for SRBIANA ELECTRIC is Entertainment services in the nature of live visual and audio performances by a group of instruments playing and promoting only Srbiana arranged music, composed of three electric, silent solo violins, three electric solo accordions, three electric, silent solo bouzoukis, three electrical/digital solo pianos, and three electric solo wind instruments, with five electric/silent contra basses, and three electric drums set up as accompanying instruments, which occasionally will be required and encouraged to play solos as well, and, for each solo instrument within a group of three such as the three solo violins, three solo accordions, the three solo bouzoukis in compositions, arrangements and performances, the composer or arranger will assign a particular frequency range for their specific timbre to each of the instruments for their solo parts, with all solo instruments in groups of three, playing their solos, only in the register parts as assigned by composer, and will not be permitted to switch the assigned registers between the solo instruments or between the solo instruments in groups of three, with the addition of five electric, silent contra basses, and three electric drums set up as accompanying instruments.

Word mark: SRBIANA ELECTRIC
Status/Status Date:
OFFICE ACTION ISSUED - CLARIFICATION NEEDED
9/22/2016
Estimated Response Deadline: 3/22/2017
Serial Number: 87050682
Filing Date: 5/26/2016
Registration Number: NOT AVAILABLE
Registration Date: NOT AVAILABLE
Goods and Services: Entertainment services in the nature of live visual and audio performances by a group of instruments playing and promoting only Srbiana arranged music, composed of three electric, silent solo violins, three electric solo accordions, three electric, silent solo bouzoukis, three electrical/digital solo pianos, and three electric solo wind instruments, with five electric/silent contra basses, and three electric drums set up as accompanying instruments, which occasionally will be required and encouraged to play solos as well, and, for each solo instrument within a group of three such as the three solo violins, three solo accordions, the three solo bouzoukis in compositions, arrangements and performances, the composer or arranger will assign a particular frequency range for their specific timbre to each of the instruments for their solo parts, with all solo instruments in groups of three, playing their solos, only in the register parts as assigned by composer, and will not be permitted to switch the assigned registers between the solo instruments or between the solo instruments in groups of three, with the addition of five electric, silent contra basses, and three electric drums set up as accompanying instruments
Mark Description: The mark consists of seven symbolically designed letters whose baseline rests on the third line of a treble staff, with five staff lines whose endpoints are not vertically aligned, but whose staff line endpoints align to a concave curve facing toward the left; and is preceded by a treble clef, which is at an angle (upper left to lower right) to the treble staff, and a double bar measure (bent concave towards the treble clef) marking the beginning of a piece of music; with a capital letter "S" stylistically composed of: an electronic schematic symbol of a fuse, stylistically rendered, spanning between the base of the first line of the treble staff and extending beyond the top of the fifth line of the treble staff, whose upper and lower endpoints are rather large black-filled ellipses, with a short vertical black line drawn from the upper black-filled elliptical endpoint into and towards the shaping of its core letter "s", with a short vertical black line drawn from the bottom portion of the shaped letter "s" into and towards the lower black-filled elliptical endpoint, whose endpoint rests on the first line of the treble staff, with the upper part of the "s" having a black-filled shape similar to the waning crescent moon, with two small black-filled circles, vertical to one another, positioned to the left of this crescent shape, with the lower part of the "s" drawn with a curved black line, with three small black-filled elliptical shapes arranged diagonally to one another, with their rise from lower left to upper right, and placed within the bottom valley of the lower part of the "s", with two additional independent curved black lines drawn progressively shorter, one of them parallel, while the shortest line is more curved and semi-embraces the other, all centered along their vertical midpoints, and placed just to the right of the exterior of the lower part of the "s"; with a lower case letter "r" stylistically composed of: an electronic schematic symbol of an inductor, stylistically rendered, spanning from the midpoint of the second space of the treble staff to the midpoint of the fourth space of the treble staff, with a larger black-filled elliptical shape at the upper left endpoint of the inductor symbol, with four very short vertical lines alternating with three very small semi-circular lines extending out of the black-filled ellipse, symbolizing the inductor's coil, drawn in black, in which the open ended shapes face toward the beginning measure of the treble staff, with a second straight vertical black line next to it and the same height, placed directly to its right, with a rather large black-filled arrowhead shape, pointing downward, at the lower endpoint of both the inductor coil symbol and the straight vertical line, and with a curved arc protruding out to the right and downwards from the straight vertical line, drawn in black, whose endpoint is a medium-sized black-filled ellipse; with a lower case letter "b" stylistically composed of: an electronic schematic symbol of a polarized capacitor (drawn vertically), an electronic schematic symbol of an antenna, and a bass clef, all stylistically rendered, in which the stylized capacitor symbol is a medium-sized curved black line, spanning between the third and fifth lines of the treble staff, and concave toward the beginning measure, with a small horizontal black line protruding out to the left at its midpoint, depicting the polarized plate of the capacitor, with a vertical black line the same height of polarized plate and placed to its right, depicting the second plate of the capacitor, with a vertical grey line the same height as the two capacitor plates and placed in between them, depicting the antenna's feeder pole, with two very small grey lines placed on top of the antenna feeder and extending in either direction (one to the left and the other to the right), wherein both lines then turn a short distance vertically and upwards just passing the fifth line of the treble staff, and then again extending outwards, with one extending a short distance toward its left, and the other extending a short distance toward its right, depicting the antenna's transmission lines, and with a heavier black bass clef shape, spanning between the third and fourth lines of the treble staff, and drawn with a rather large black-filled ellipse as the top left endpoint of the bass clef, with a crescent shaped curved line, thinner at its top and thicker at its bottom completing the formation of the bass symbol, with two medium-sized black-filled circles to the right of the bass symbol, and completing the letter "b"; with a lower case letter "i" stylistically composed of: a musical symbol of a quarter rest, stylistically rendered, drawn as a black-filled curved shape of two parts, an upper part that is crescent shaped facing left, and a lower part that is crescent shaped facing downwards, with both crescents connected in between with a diagonal shaped line, and a small ellipse to the right of the upper part of the quarter rest, whose total symbol shape is slightly distorted and stretched vertically, and which spans from the base of the third line of the treble staff to slightly above the fourth line of the treble staff, with a complex black line drawn next to it, spanning from slightly below the third line of the treble staff to nearly the midpoint between the fourth and fifth lines of the treble staff, whose starting point begins above the distorted and elongated quarter rest, which then runs horizontally to the right, then moves into a hairpin curve and travels back horizontally to the left until at the halfway point of the horizontal above it, which then turns into a soft curve downward to run vertically along the length of and parallel to the stylized quarter rest shape, which then turns into a soft curve to travel horizontally to the left until at a point aligned with the line's initial starting point as described above, and then moves into another hairpin curve and turns to travel back horizontally to the right, and ends at a point aligned with the three-quarter mark of the uppermost starting horizontal, all of which compose the core letter "i", with two shorter parallel black lines just to the right of the vertical shaft of the above described core letter "i", which are positioned with their vertical base points aligned on a diagonal which rise to the right, with the first vertical line's base point level with the bottom of the core letter's vertical line, and the second vertical line's top endpoint nearly level with the top of the core letter's vertical line, and with a large circle outlined in black above the stylized and composed letter "i", which sits above the fifth line of the treble staff, at about a quarter of the distance as measured between each of the lines of the treble staff, depicting the electronic symbol for the process of recording; with a lower case letter "a" stylistically composed of: an electronic schematic symbol of a 2-input Exclusive-OR gate, stylistically rendered, spanning between the third and fourth lines of the treble staff, with a shape, drawn with black line, composed of two vertical curved lines both with their upper and lower endpoints to their rights, with a horizontal line connecting the top endpoints of the two vertical curved lines, and with another horizontal line connecting the bottom endpoints of the two vertical curved lines to create an enclosed shape, with five horizontal lines placed within this enclosed shape, whose horizontal lines, from top to bottom, progressively decrease in size, until reaching the midpoint of the enclosed shape, and then the horizontal lines progressively increase in size within this enclosed shape, with three black-filled elliptical shapes arranged independently, vertically and parallel to the composed enclosed shape, and positioned to the right of the composed enclosed shape, with a third vertical curved line to the right of these three indepen
Type Of Mark: Service Mark
Published For Opposition Date: N/A
Last Applicant/Owner: "Sovereign Source", Inc.
Chicago, IL 60640
Mark Drawing Code: Drawing/Design + Words
Design Search:
Musical symbols, including treble and bass clef symbols, sharp and flat symbols and notes (Heraldry, flags, crowns, crosses, arrows and symbols - Notational signs and symbols) see more design...
Circles that are totally or partially shaded. (Geometric figures and solids - Coding and searching guide) see more design...
Five or more circles (Geometric figures and solids - Coding and searching guide) see more design...
Triangles that are completely or partially shaded (Geometric figures and solids - Triangles) see more design...
Straight line(s), band(s) or bar(s) (Geometric figures and solids - Lines, bands, bars, chevrons and angles) see more design...
Horizontal line(s), band(s) or bar(s) (Geometric figures and solids - Lines, bands, bars, chevrons and angles) see more design...
Letters or numerals, including punctuation, forming representations of objects, parts of objects, or maps (Forms of writing - Letters or numerals, including punctuation, forming figurative elements) see more design...
Representations of objects forming letters or numerals, including punctuation (Forms of writing - Figurative elements forming representations of letters or numerals, including punctuation) see more design...
Register Type: Principal
Disclaimer: (NOT AVAILABLE)
Correspondent:
LAW OFFICE OF MARC N. BLUMENTHAL
20 S. CLARK STREET
SUITE 500
CHICAGO, IL 60603

Intent to Use Trademark - Applicant has not submitted proof of use in commerce the the USPTO.

Classification Information

Primary Class: Class (041) - Education; providing of training; entertainment; sporting and cultural activities.
First Use Anywhere: Not provided
First Use In Commerce: Not provided

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Current Trademark Status:
9/22/2016
OFFICE ACTION ISSUED - CLARIFICATION NEEDED
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MARC N. BLUMENTHAL is a correspondent of SRBIANA ELECTRIC trademark.

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